“There are certain stars that you are not allowed to talk about when that type of work is done - maybe slimming a little bit or cleaning up some imperfections.” “The not-so-obvious examples are probably under confidentiality,” says Barba. There’s also what’s called “beauty” work - in effect, providing actors with digital facelifts - a practice many in Hollywood would prefer to keep secret. It allow actors to play earlier versions of themselves,” says Eric Barba, who was at Digital Domain when he served as the Oscar-winning VFX supervisor of Benjamin Button and who currently works at Industrial Light & Magic in Vancouver.īut such digital work isn’t being used only to allow an actor to play a character decades young than himself. Says Claus: “The shot was nearly 4,000 frames long, with Tony Stark turning from one side to the other multiple times, physically interacting with other actors, and the set itself, and moving closer to the camera for a very long, uninterrupted close-up.”Ĭlaus and other VFX pros are increasingly being asked to employ such digital tricks. “ Creatives are finding more and more uses for it. The particular shot was also challenging because of its length and because it involved a close-up. Downey at the approximate age that we wanted to target, which was around the time of the film Less Than Zero. “In this case, we analyzed footage of Mr. “Additionally, when working with the appearance of a well-known actor such as Robert Downey Jr., there is the added pressure of living up to the youthful appearance that audiences remember,” he says. De-aging a character by a span of 25-30 years can affect skin texture and complexion and can involve characteristics such as bone structure or posture, Claus explains.
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